Sunday 31 October, 12.30pm until 1.30pm, Lecture Theatre 2 Lunchtime Debates
Humanity has always had a fascination with the undead: from ancient folklore to Bram Stoker’s 1897 novel Dracula to teen heartthrob Edward Cullen in the recent Twilight books and films. Indeed, with the current resurgence in vampire literature and films - globalised by the phenomenon of Twilight and HBO’s True Blood – it seems the genre is more popular than ever. And with the world’s first master’s degree in vampire literature launched at the University of Hertfordshire in September, it is clear that a new generation is keen to get under the skin of this spooky fascination. We still just can’t seem to get enough of these blood-sucking monsters. But what does our obsession with the undead tell us about what it means to be human, and what is the particular appeal today?
Historically, vampire literature has been seen as a metaphorical expression of anxieties about everything from sex to disease to immigration. Karl Marx even described capital as ‘vampire-like’ in its need to suck in human labour. Today, some critics believe that the immortality of the vampire serves as a reminder that life is fleeting, and that we have little control over the world around us – particularly poignant given the current worries over climate change, the economy and so on.
Or is it a far simpler story – that we (or women in particular) find the idea of vampires, frankly, a bit of a turn-on? It’s the classic tale of wanting a man you shouldn’t (he might rip you to pieces), that every woman can relate to. Conversely, in Twilight, Edward and Bella’s more tender relationship sends out a definite message to teens – no sex before marriage! The vampire – once a foul smelling, evil bloodsucking monster - has grown up into a sensitive soul more concerned with protecting his victims from other vampires, and other humans, than gorging on their blood. So is vampire literature simply escapist, or does the romantic allure of our fanged friends reveal an unease about the messy business of being human?
Listen to session audio:
associate fellow, Academy of Ideas; author, That Existential Leap: a crime story (forthcoming from Zero Books)
|Dr Sam George|
senior lecturer, English literature, University of Hertfordshire;
professor of the Critique of Political Economy and head of department, politics and history, Brunel University
writer-in-residence, Bath Spa University; novelist, White Crow and My Swordhand is Singing
speakers' agent, Ed Victor Speakers Bureau LLP
The campaign for real monsters starts nowCharlie Brooker, Guardian, 12 July 2010
New drama from Six Feet Under writer Alan Ball follows popularity of Stephanie Meyer's books and Let The Right One InStephen Armstrong, The Times, 22 June 2010
A group of academics met at the University of Hertfordshire in England to discuss theJavier Espinoza, Wall Street Journal, 7 May 2010
A university lecturer hopes the undead can liven up English literature for the Twilight generation.Lucy Tobin, Guardian, 7 April 2010
Actually, they don't. And that's the problem.Grady Hendrix, Slate, 29 July 2009
Forbidden love and the vampire takeover.Sophie Chen, Psychology Today, 21 July 2009
Tonight, you or someone you love will likely be visited by a vampire — on cable television or the big screen, or in the bookstore. Our own novel describes a modern-day epidemic that spreads across New York City.Guillermo del Toro and Chuck Hogan, New York Times, 1 July 2009
Marko and Sorrel must uncover the mystery of what has happened both to Sorrel's father, plagued by a strange madness that prevents him from sleeping, and to Marko's father, a doctor, who has mysteriously gone missing after travelling to Venice to help his old friend.
Marcus Sedgwick, Orion Childrens, 2 April 2009
Why do vampires still thrill?Joan Acocella, New Yorker, 17 March 2009
Building the Future - Richard Brown - Clash between development and locals
"Of all the political and cultural festivals, none beats the Battle of Ideas for its eclecticism and willingness to invite controversial and absorbing debate."
John Kampfner, Chief executive, Index on Censorship; former editor, New Statesman