Do the arts have to rebrand themselves as ‘useful’ in order to justify public money? Is there any role for arts research that simply adds to the pool of human knowledge but with no immediate purpose for contemporary society? A period like ours, when government is obsessed with evidence-based policy, could be seen as a golden age for academic researchers. Research is regularly cited by ministers to back up policy; and research with practical outcomes can find funding and fame. But with research under increasing pressure to develop ideas that are ‘useful’ in terms of current government and corporate priorities such as economic competitiveness, social responsibility and sustainability, what is the fate of blue-skies research, let alone the ‘useless knowledge’ often associated with the arts and humanities?

If research and innovation have to be tailored to fulfil perceived social needs, the arts in particular can become squeezed, either defensively trying mould themselves around fashionable concerns, or sidelined as arcane, self-indulgent and irrelevant. How should we value arts and humanities research today, and who should define the criteria for such judgements?


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