Saturday 19 October, 1.30pm until 3.00pm, Library Pop Ups
For many, an attempt to understand 20th century vocal music without reference to the lyrics of Cole Porter, Bob Dylan or Public Enemy would seem to be missing the point. At the same time, it’s possible to enjoy lyrically rich music without paying too much attention to the words, and millions enjoy ‘Mack The Knife’, for example, while delving little into the other work of Bertolt Brecht. And how many non-Korean fans had a clue what was going on in ‘Gangnam Style’? The past generation has seen the emergence of dance music that often features no words at all, but even in the lyric-heavy world of hip-hop, there is acknowledgement that words are functional to the music, as they can be in the worlds of jazz and opera. So do lyrics really matter? Do they tend to limit rather than enhance the emotional range of music? Or should we celebrate lyrics as the closest engagement many today will have with poetry?
Denis Joe
poet and reviewer; founding member, Liverpool Salon |
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Barb Jungr
singer, writer and performer; CDs include, The Man in the Long Black Coat and From Stockport to Memphis |
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Rob Lyons
science and technology director, Academy of Ideas; convenor, IoI Economy Forum |
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Chair: | |
Niall Crowley
freelance designer and writer |
SOME THINKING ALOUD ON THE SIGNIFICANCE OF LYRICS IN MUSIC....
STEPHEN RILEY, STEPHEN RILEY Art, 25 September 2013Should song lyrics ever be called poems? Clémence Sebag explores the murky world of musicians who claim poet status.
Clémence Sebag, Litro, 24 September 2013Over a century ago, musicians noticed that European folk music seemed to exhibit certain uniform traits. They tried to analyse the music based upon the vast musical knowledge that they believed they had.
Aindrias Hirt, Ethnomusicology Review, 2 September 2013As nauseatingly wholesome as children's songs may seem, sometimes there are corpses buried under those mountains of spaghetti, and axe murderers behind those rainbows.
John Kroes, Cracked, 21 September 2012