Christopher Adams is assistant curator at the Estorick Collection of Modern Italian Art, London. He has recently completed a PhD at the University of Essex concerning the evolution of Italian Futurism during the 1940s, and has contributed articles, reviews and essays to a range of publications including Baseline, Creative Review, Print Quarterly, the Journal of Modern Italian Studies and the catalogue of the exhibition Vues d’en Haut at the Centre Pompidou, Metz.