Saturday 20 October, 5.15pm until 6.30pm, Fountain Room
While the London Olympics has understandably dominated the capital’s cultural agenda, 2012 has also been another booming year for art lovers. Major exhibitions of Leonardo da Vinci, JMW Turner, Pablo Picasso, Lucian Freud, David Hockney and Damien Hirst have seen audiences flock to the capital’s galleries to enjoy some of the most important artists through the ages. The international arts trade continues to be robust against the backdrop of the global financial instability, although few would feel the $250million paid for ‘The Card Players’ in 2011 offers much of a guide to where Paul Cezanne truly stands in the pantheon of great artists.
Yet beyond the household names who can pack out blockbuster shows, debates around contemporary art reveal general confusion over what art is and how it is judged. The late Thomas Kinkade, who was one of America’s most popular and commercially successful painters, is barely known outside of his own country. In the UK, Jack Vettriano has become an eye-roll-inducing byword for middlebrow commercial tastes, while the conceptual art of YBAs such as Hirst and the annual populist hostility to the Turner Prize seems to confirm public bewilderment over artistic value.
Who, then, can lay claim to the title of world’s greatest artist? Polymath visionaries such as Leonardo or Blake, or would we be better focusing on a Rodin or van Gogh who came to define one medium or style? Did Duchamp or Warhol successfully overturn our conception of what had come before? Or Kandinsky or Picasso who made us look at the world afresh? Could Hirst’s fascination with mortality qualify him for immortality? Or should we drop the obsession with personality and, in the style of Grayson Perry, start singing the praises of the unknown craftsman?
Artists being represented by our balloonists include:
-Louise Bourgeois (1911-2010)
-Michelangelo Merisi da Caravaggio (1571-1610)
- David Hockney (1937-)
-The Rohan Master (c.1410-1440)
-William Morris (1834-1896)
-Pablo Picasso (1881-1973)
-Mark Rothko (1903-1970)
Listen to session audio:
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Jan Bowman author and illustrator; author, This is Birmingham | |
Sara Radstone artist; tutor, HE Diploma in Fine and Applied Arts (Ceramics), The City Lit, London | |
Emma Ridgway curator, creative learning, Barbican Centre | |
Sarah Strang founder, CIVIC ROOM | |
Richard Stubbs educational consultant; former teacher; advocate, Greenwich Advocacy | |
Richard Swan writer and academic | |
Jason Walsh journalist; foreign correspondent, CS Monitor | |
Chair: | |
David Bowden
associate fellow, Academy of Ideas; culture writer |
Hirst is the world's richest artist and the Tate's big retrospective will mark the zenith of his power. But when his stock falls, how will an art world in thrall to big money respond?
Hari Kunzru, Guardian, 16 March 2012David Hockney has rebuffed claims that he is Britain's greatest living artist, calling the description
David Hockney, BBC News, 13 January 2012Art is a lifelong learning curve and the market is no substitute for putting eyeballs directly on it—smelling it, tasting it and touching it. You need to lift it, hang it, insure it, frame it, pack it, ship it, live with it, damage it, hate it and idolize it.
Kenny Schachter, Rise Art, 24 October 2011In response to Richard Eyre's essay in our Arts & Books magazine last week, other cultural figures – and readers – reflect on the true meaning of art
Independent, 19 November 2009If I write a five-star review of an artist's work, while another critic finds it worthy of only one star - who is right?
Jonathan Jones, Guardian, 9 October 2001